When William King returned to the Black Library some years ago after taking a long break writing various Warhammer fiction, his first trilogy for the fantasy arm was the Tyrion & Teclis trilogy that told the origin story and the adventures of two of the most famous High Elves of the Old World, the twins Tyrion and Teclis, one a warrior and the other a mage. In the High Elven lore, they are both great champions and much has been written of them, but this was the first time we got up close and personal. And it proved to be a decent enough experience as a reader, although there were definitely moments where I felt that the story and characters missed their mark.
Aliette de Bodard is a prolific writer of science fiction and fantasy, specialising (I’d say so) in writing about non-western cultures. She has been nominated for quite a few awards in her career and has also won a few of them. My run-in with her earlier this year was quite accidental: I saw the cover art for her upcoming (at the time of course, but now released just yesterday!) omnibus edition of her popular Aztec Mysteries novels. It took me a long time to get around to reading her work but I can definitely say I’m the better for it. I contacted her after finishing Obsidian and Blood about doing a post on her experiences writing non-anglophone cultures and this what she had to say.
The guest post was originally published on The Founding Fields, here.
My first substantial introduction to the world of Magic the Gathering was through the comics written by Matt Forbeck for IDW Publishing. They introduced me to the planeswalker thief Dack Fayden through some really fun adventures across the Multiverse. Since then, I’ve taken up the game itself, and now I play fairly regularly and follow tournament coverage as well. Naturally, my interests would also lead me to other Magic fiction, specifically the novels, and I’ve read a few of them in the last couple of years, the most recent being Cory J. Herndon’s Ravnica: City of Guilds.
The first of the Ravnica Cycle trilogy, this novel follows a lieutenant of the League of Wojek, Agrus Kos, as he undertakes a murder investigation that draws him into a conspiracy that will shake up the entire world of Ravnica. As a fan of the setting, I really appreciated Herndon’s detailed descriptions of Ravnica and its many citizens, which really helped to bring the world alive in my mind. I’m not familiar with any of the characters here, but that’s the thing about Ravnica: City of Guilds, you don’t have to know anything about Magic the Gathering to enjoy it, though that does help.
If you grew up in the 80s and 90s then you were at the forefront of the big boom in the video game industry when it comes to Real-Time Strategy (RTS) games. There were some downright amazing games in those days in this genre, particularly Age of Empires, WarCraft, StarCraft, Command & Conquer, Homeworld and countless others. The mid-to-late 90s were a great time to be an RTS fan. Many of these games left a lasting impression on me, having to do with both story and gameplay, and I remember them all fondly. If there are two games here that particularly struck a chord with me however, those are WarCraft II: Tides of Darkness and the original Homeworld, and I’ve been a fan of both ever since I got my first copies of either, about 18 years for the former and 15 for the latter. Good lord, I feel old now.
My interest and fascination WarCraft II: Tides of Darkness eventually led to me becoming a near-die-hard World of WarCraft player, and I was absolutely stoked when news came out that the series would be getting a movie franchise. And that in itself has been a long, long journey. After many false starts, Warcraft: The Beginning is finally here and it is a movie that absolutely captures the heart and soul of the 22-year old franchise. One big caveat for any WarCraft fan is that the movie plays fast and loose with the established lore, and that there are some significant changes made for the cinematic audience, but if you look beyond that, then you see something that just totally fits the aesthetics of the overall franchise.
Note: This review contains some major spoilers for the movie, WarCraft: Orcs & Humans, and some of the concurrent novels, both old and new. Proceed at your own peril.
Author Bradley P. Beaulieu is one of my favourite writers in recent years, thanks to his 2012 debut The Winds of Khalakovo from Night Shade Publishing. It was a pretty good year for the publisher, and we got lots of great debuts at the time, not the least of which was this incredible Russian-esque fantasy from Brad, which told an epic struggle between several noble families navigating the politics of the land. It was a very refreshing read for someone like me who grew up reading the more traditional fantasy settings, and Brad’s style in particular was one of the selling points as well. I have yet to read the third and final novel in the trilogy but after having just read Brad’s latest, I certainly itch to read more of his work, so soon perhaps.
Twelve Kings In Sharakhai is the first novel in Brad’s new series, The Song of The Shattered Sands. It is a very different novel in almost all sorts of ways, and that distinction certainly helps in the enjoyment of the book, though that is by no means the only thing. The setting is far grander this time, I think, for it deals with the past having an effect on the present and what that can mean to the future. The sins of old come to bite back, and it is up to a young girl named Çedamihn to challenge the authority of the Twelve Kings and have her vengeance on those who have wronged her and her family.
Dynamite Entertainment is not a publisher to shy away from doing crossovers and events every now and then. Sometimes you have crossovers such as Tarzan and John Carter, or Red Sonja and Witchblade or even Sherlock Holmes and Red Sonja and Vampirella all together fighting against a Hyborean villain of all things. I love reading crossovers and event books, primarily for the reason that they always have an exciting cast of characters where I’m not really familiar with many of them. Tarzan? Nope. Witchblade? Not at first. Vampirella? Not really. And Dynamite has a good track record with these things, so it makes for a much better experience that way too.
And the latest crossover/event from the publisher is Swords of Sorrow, a massive event that brings together heroes and villains from across worlds and timelines in an all-out battle. You have characters such as Red Sonja, Vampirella, Dejah Thoris, etc fighting to defend all of reality against Hel, Purgatori, Chastity and others. This could all be easily summed up as a feminist crossover given the incredible number of (great) female characters represented, and both the writing by Gail Simone and the art by Sergio Davila is absolutely top-notch.
The finale of Game of Thrones Season 4 came at the end of a rather troubling season in general, with the writers making some really questionable departures from the source material and the directors being a bit too convinced of their own infallibility with respect to the final product. Still, as such things go, the finale wasn’t all that bad and it ended on a fairly positive note for many of the arcs that it touched, such as where Arya ends up after she disposes off of The Hound and sets out for herself, or even Tyrion killing his father and Shae both, for betraying hmm in the worst ways possible.
And this all brings us to season 5, which began this past Sunday, and generated an immense amount of controversy from the get go, namely that the first four episodes had been leaked together from sources that HBO had sent them to for review purposes. Hardly generates confidence, that. Either way, the season 5 premiere is of the grim and somber variety. Nothing really happens in this episode other than he viewers getting to touch base with some of the storylines and seeing what consequences past events have wrought on the world of Westeros and beyond. The characters are trying to find their feet once again, and moving forward, things should be… interesting.
As I have said before, my “25 Series To Read In 201x” reading challenge is meant to allow me to touch base with trilogies (and longer series) that are out in publication currently and have proven to be big successes while also going back to read some classics, especially a few favourites that I have not revisited in the longest time. For this year’s challenge, one of the series that found its way to my list is the Empire trilogy by Raymond E. Feist and Janny Wurts, a trilogy that stands as one of the best fantasy series I’ve read to date, for far too many reasons. And going back to it last month proved to be a blast.
The Empire trilogy is set on the world of Kelewan in the Empire of Tsuranuanni. In his Riftwar Saga trilogy, Raymond introduced us to the worlds of Midkemia and Kelewan which became locked in a grand war across time and space. In this particular trilogy with Janny, he tells us of the events happening on the other side of the conflict, as the Riftwar novels mostly focus on Midkemia. The books focus on young Mara of the Acoma, the last scion of her family as she struggles to rebuild her family’s fortunes and carves out her own political identity in a world of strict social mores and ruthlessly cunning rivals.
Last year, writer Jim Zub began and wrapped up his six-issue Pathfinder: City of Secrets mini-series, which dealt with his cast of characters finding themselves at the heart of some really bad trouble in the city of Magnimar. Demons and the like were involved of course, not to mention a changeling that really messed up the group at one point, but the heroes all got out of it well enough. While not among my favourite comics of the year, City of Secrets was definitely a decent mini-series, and one that I’d recommend, especially since it is new reader friendly.
Pathfinder: Origins however, is not so new reader friendly. This new mini-series from Dynamite, with the first issue released last week, delves into the histories of the characters from City of Secrets before they all came together. The first issue deals with the mercenary Valeros and here we see a part of his mercenary life. Sadly, while I had some high expectations of this comic, it proved to be a dud with the story being all over the place and the art being little better most of the time. Very disappointing read.
Another week of a “Magic 40”, though no graphic novels.
This week’s surprise hits were Ivar, Timewalker #1 from Valiant, Mortal Kombat X #4 from DC, and Twilight Zone: Shadow And Substance #1 from Dynamite. The disappointments of the week were Spider-Woman #3 from Dynamite and Spider-Verse #2 and The Amazing Spider-Man #13 from Marvel and Vampirella: Feary Tales #4 from Dynamite. Ongoing greats were Wonder Woman ’77 #3 , The Flash: Season Zero #11 and Supergirl #38 from DC, Black Widow #14 and Bucky Barnes: The Winter Soldier #4 from Marvel, and, Grimm Fairy Tales: Realm War #6 from Zenescope among others.
Jim Zub and Max Dunbar had a smash hit 2014 with their title Dungeons & Dragons: Legends of Baldur’s Gate, the latest tie-in comic from IDW that sets up the stage for Dungeons & Dragon‘s upcoming expansion Tyranny of Dragons. Bringing back a fan-favourite character and also introducing a band of brave new adventurers, this new comics series has been pretty incredible so far, and we are only on the fourth issue yet, as of this past week. Each issue packs a great twist, has some great characterisation and comes with some really solid art as well. What more could you want?
Last week’s Legends of Baldur’s Gate #4 takes up from where the previous issue left off, namely Delina finding out that her missing brother Deniak isn’t so missing after all and that he is actually behind some of the more dire events happening in Baldur’s Gate of late. Of course, it is all even bigger than that and we truly see the goal of Deniak’s grand plans as he stands revealed as the big bad of the series, with a major twist at the end of the issue that really puts the subtitle of the meta-story forward, Tyranny of Dragons.
I began this particular reading challenge in 2013, as a way to motivate myself to read widely across genres and also to kind of catch-up on some big names of the various genres I haven’t been able to get around to as yet. The 2013 challenge was a close one for me, and last year’s challenge I completed in full, though there was a bit of a snag with that one early on. Either way, I still love this challenge immensely, given all the different flavours and styles I get to sample with it, and so here’s the 25 series I am looking forward to reading in 2015.